Selling out of my studio makes me more money and cuts out....
“ Selling out of
my studio makes me more money and cuts out the Gallery and middleman,
great for the artist?”
Is it?
I am the first to
agree that if you can sell from your studio and make enough money to
live on, then you are doing very well. I know of Artists who have
been able to carve out a nice living doing Art Fairs and slowly
building up a Collector base from their studio.
I also know an
Artist who I consider very talented and a friend who does not show in
any Galleries and he has built a good business and sells directly to
his Collectors. He did start off from a Gallery but found he could
build his business better outside the Gallery system.
If you can do this
and it cuts out the Gallery or the middle man and you are happy with
that, then you should do it.
I know it is hard to
get into Galleries and it is also hard to get into the Gallery that I
manage.
So what do you do?
Build your Art
Business with or without the Gallery?
I will give you my
view.
The problem you face
with not having Gallery representation and selling directly out of
your studio, will be building your exhibition career, one man shows.
Yes you can use a vanity Gallery or space for rent, but it is not the
same as showing in a recognised Gallery.
Without an
exhibition career it is very hard to build your career beyond what
you are doing, studio, art fairs etc, unless of coarse you are that
one in a million who finds a collector who will finance you into the
big time, if not then it most likely will not happen.
I feel for my friend
as he has lots of collectors who buy directly from him so most
Galleries will be very slow to take him on for that reason, they will
fear that if they show him, he will still sell from his studio while
the Gallery shows the work.
For an Artist to
really make it into the big time and secretly every Artist wants
that, fame and fortune, and if they say they do not want it, they are
in denial, they must do it through the Gallery system, otherwise how
will collectors get to know them and follow them and their career
progress.
Collectors like to
see the Artist year by year growing and seeing sales taking place for
them to invest in them on a regular basics. I am not talking about
selling one painting in an Art Fair but a collector who continues to
buy and buy one particular artist and they trust the Gallery to guide
them, advise them and if necessary sell paintings that they are not
so sure of, the Gallery builds that relationship. Yes, you the Artist
can build that yourself but few do, because it is time consuming and
most Artists find it hard to sell themselves and discuss there career
decisions where as the Gallery can do that. If your collector wants
to put some of your work to auction a Gallery track record is very
necessary, people always want to know the back story. Real collectors
ask lots of questions and want history, sales performance, who else
has purchased the Artist, how many shows they have had?
To get into the
Auction market will take good collectors buying you and then selling
you in the Auctions, unfortunately Artists do not benefit financially
from the Auctions but it does build their profile and is reflected in
the prices of their current work.
Are all Galleries
good and easy to work with? No.
There are some very
unethical Galleries who have not paid Artists and scammed collectors,
this is a self regulated industry, but on the whole most Galleries
are honest and are trying to do their best for their Artists.
Also there are some
very unethical Artists, who sell behind the Galleries back and
delivery substandard work to collectors, so there is good and bad in
both camps.
Good Gallery
representation can be the making of a great career for the Artist. If
the Artist is hard working and loyal to the Gallery and the Gallery
promotes the Artist and good sales follow, collectors begin to take
an interest in the artists paintings and the Gallery gets shows for
the Artist in other Cities and Countries, then the Artist career will
slowly build.
It is to the
Galleries benefit to look after the Artist, to promote them and sell
them, the more the Artists profile rises so does the Galleries, it is
a team effort.
When an unknown
Artist is picked up by a large Gallery it automatically raises the
profile of the Artist.
The biggest
complaint Artists have about Galleries when addressing their anger at
me is that I take to much commission and why do I do that when the
its Artist who does all the work and it costs them so much in
materials and time.
Rather than state
the obvious I just say that’s one of the conditions to have a show
in this Gallery, the decision is totally yours.
I do not want to
argue and have to explain all we do, we are a successful Gallery and
explaining would only inflame the situation, I do my best for all my
Artists and one of the reasons I write my blog is to try and give
something back to Artists and maybe help one or two to become
successful.
If an Artist wants
to sell from their studio more power to them and I support that
decision, but if you want to be represented by a Gallery tell them
about your studio sales and try to work out a deal that you are both
happy with. If the Gallery shows your painting and then after the
show is over and someone who saw it at the Gallery comes to your
studio so they can get it cheaper, before you sell it to them, think
not just about this one sale but all the future sales that the
Gallery will get you. Tell the collector the gallery price and pay
the commission to the Gallery or send the Collector back to the
Gallery and do the transaction through the Gallery, it will build a
trust between you and the Gallery..
Yes it is hard to
get into a good gallery that will represent you and promote you and
care about your career.
But in saying that
if your work is different and you can get the markets attention with
your work, that will get you into a gallery.
Every Gallery is
different so do not give up if that is your goal.
The two paintings I
have shown on this blog are those of a young Artist who did not
contact me looking for representation. I saw him in an Art Fair and
his work just screamed out “WOW” So I invited him to the Gallery
and have sold him, you are seeing two of his sold paintings on this
blog.
He put himself out
there and got noticed.
Will he make it to
the big time? I do not know, but I will help him have a good shot at
it and yes I do take 40% commission from his sales.
Is he happy?
Yes, he is in the
game.
He has a small foot
hold in the Art World and if he works hard and stays focused then he
will make a reasonable living as an Artist.
Have I put him under
a contract?
No he is free to do
as he pleases, I do not believe in contracts. I want him to stay
because he wants to and he feels that we are doing the best for him.
He is fortunate at a
young age to be in a big Gallery, but it is possible for every Artist
to get gallery representation.
How? Paint great
paintings, get noticed, get attention, be involved in the Art World
and keep putting your work before good Galleries.
Yes it is hard to
get into a good Gallery so while you are waiting sell on line, sell
out of your studio and get noticed.
If you get into a
Gallery, talk to them about your studio sales and your online sales,
if you are good then something can be worked out so everyone is
happy. Be very open with the Gallery just so they know.
I wanted to give one
Galleries point of view however small.
I do trust that this
has helped some artists.
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