FIXATIONS NO 1

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ISABELO TAMPINCO.. “ THE GLADIATORS".

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ISABELO TAMPINCO.. “ THE GLADIATORS" .                                                           “ GLADIATORS “    [ original title unknown]                         by ISABELO L. TAMPINCO. (19 November 1850 – 30 January 1933)      “ Gladiators “ is not the original title as that is unknown. We will do the description of the two sculptors but the sculpture that we will refer to as soldier “B” is in the National Museum of the Philippines and the title on the sculpture is, “ Soldier Unsheathing his Sword “, Isabelo L. Tampinco, plaster cast, ca. 1880's. Description of “ THE GLADIATORS “ [original title unknown.] cast marble. 30.5cm high x 28cm x 20cm. Base is round 21cm dia. 1....
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Why don't people want to pay what my art is worth?

                                               Why don't people want to pay what my art is worth? I keep reading on an artists group pages again and again the same old question, “ I cannot sell my art for what it is really worth?” This is always a question raging in the art world, sort of the never ending question. Every artist has an opinion about this and it sometimes sounds like whining and of coarse they do not want to hear any opinions that differ from the fact, that their art is worth far more than they can sell it for. Of coarse my opinion comes from my experience with Galleries and collectors and of coarse artists and you may not agree with me and that is fine and I hope I do not upset to many people but lets take a look at the reality of the situation. First lets establish this that the price an artist can ask for a painting has nothing ...
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“ I wish I had learned about this when I was trying to sell my paintings.

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Your weakest skill, sets the height of your success. If you don't know your best skill, you had better find out your weakest skill, because its the weakest skill that holds you back. As Artists we so often coast along depending on our strongest skills to get us through, never realising that it is the weakest skills that hurt us the most. Now I have learned what not to do, because as an Artist I never did this but after years in Galleries I wish I had, it was a weak skill that determined the height of my success. Question, “From your last exhibition or showing, what was the worst part?” Now you cannot criticise anyone or anything, this is all about you. I don't want to hear about the terrible Gallery, terrible economy or the terrible public who just didn't appreciate your work. No, no blame on anything, just talking about you. What could you have done better? As a gallery person I now sit on the other ...
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